Summary
Sai Kabir says Vir Das as the wannabe Bollywood star and Kangna’s resident toy-boy represents “the great Indian dream”.
Says the director, “I wanted to create a toy-world in the film. I wanted the audiences to feel they were inside a toy while watching the film. I am a big fan of Johnnie To and Robert Rodriguez. When Kangna takes Vir to the filmcity that she has built for him it’s like being inside a gigantic toy.”
Vir Das as the wannabe Bollywood star and Kangna’s resident toy-boy represents, for the director, “the great Indian dream”.
Says Sai Kabir, “Taking short cuts to get where young people want to get is an accepted form of immoral behaviour. It’s cool to be corrupt for the sake of your desires and dreams. Youngsters who take short-cuts think they can get away with it. They think they cando some jhol in the stock market and get out with some fast bucks. But it doesn’t work that way. The whole Modern Indian Dream is a bloody bubble. Vir Das character gets trapped in his dream. Even the conversion to Islam and the second marriage ceremony that he goes through for the sake of the media , is a short-cut horribly gone wrong. But he has also got his poetry. He is not a villain like Amrish Puri and Prem Chopra.”
Sai Kabir says even the film’s photography was purposely splashy and kitschy to accentuate the comic-book sentiment. “I don’t know if that comic book feeling comes across. If you see the way the story unfolds there are no Bollywood references in Revolver Rani at all. It’s actually a celebration of gutter-level existence. Kangna is a part of that guttural existence until she becomes pregnant. The baby symbolizes a surreal divine intervention. From her gutter-level insane existence she wants to move towards purity and sanity. The baby symbolizes sanity, purity an arcadian innocence. But she can’t quit the gutter.”
A lot of the cross references in the plot about sleazy politicians and cheesy middlemen seem borrowed from real-life politics.
Says Sai, “It’s not just about Madhya Pradesh or the Chambal Valley. My political references are taken from all over the country. Tribals being usurped from their roots, power plants being unconstitutionally sanctioned….these are epidemic political issues. And if you look at the news anchor Payal Prahihar (played by Mishka Singh) she is not just a source of humour in the plot, she is a major irritant for all the characters. And why just the characters, even I find her a nuisance. A section of the electronic media which snoops into celebrity lives is a bloody irritant. These are characters taken from the real-life politics. But it’s all depicted in comic-book fashion.”
Kangna’s aggressive libido and her insistence on being the partner on top in her relationship with her toy-boy Vir Das seems like a devious role reversal of traditional gender equations in film and continued…
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Director Sai Kabir on the world of Kangana Ranaut’s ‘Revolver Rani’
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